It’s easy sometimes to get stuck in a rut with hobbies and interests, and many times over the years I’ve found myself bored with my stationery routine, using the same pens, pencils, and especially paper without much variation. The good thing about paper is that if you write enough you will use it up and need more, which offers you endless opportunities for experimentation (as long as you keep writing). Japanese distributor Yamamoto Paper offers a seemingly endless array of unique and uncommon Japanese papers, and sells them in convenient sample packs of pads and loose sheets.
Each Yamamoto Paper Tasting Sampler includes a cover sheet with a short description on the manufacture, history, and usage of each of the three papers. It will also indicate Yamamoto’s opinion on how each paper reacts to different types of ink.These sorts of opinions are incredibly subjective, and as I’ll discuss more below, your own opinion may differ wildly (which is part of why these sorts of samplers are so much fun). Photos of additional information included with each Paper Tasting Sampler are included in the gallery below.
I’ve purchased many different paper sampling or “Paper Tasting” products from Yamamoto Paper over the years, starting back in 2022 at the San Francisco Pen Show where they had a setup at their table that allowed you to assemble a small box of samples of different papers in square sheets. I bought two full boxes, and I’m now well into my last one which I’m working through sparingly. I use them for small notes, and have found that they fit well inside a six-ring plotter binder if I punch them with three holes. What I plan to write about today, though, is Yamamoto’s “Paper Tasting” series. These relatively inexpensive sets of three bound notepads are organized by paper texture, color, and/or other properties such as translucency, and are released in different “volumes” as Yamamoto acquires new papers, and other papers are discontinued.
Among the most recent set of releases is this new set of “Gray” papers (Volume 4). I’m a fan of unusual paper colors such as gray and blue, as these tones add some visual depth to written correspondence and often showcase different undertones in fountain pen ink than standard white or ivory. The current Yamamoto “Gray” paper sampler comes with three different paper options: First Vintage Ash (B7 pad), Half Tone Color Abyss (A6 pad), and Kona Wrap Sky (B6). The latter two papers are blue-grey, so directly fall within my own personal preferences.
When I test papers, I often choose fountain pens that will “challenge” the paper. Shown here is a Pilot Custom 823 ground to an architect nib, a very wet Parker 61 with a medium 14k nib, and a relatively wet Aurora 88 Sigaro Blu with an ebonite feed that delivers a lot of ink to the page.
My two favorites from this sampler pack are the Half-tone Color Abyss (Top) and Kona Wrap Sky. I would probably flip Yamamoto’s descriptions in terms of fountain pen friendliness. All of these papers are indicated as working well with fountain pens, but I wouldn’t consider the First Vintage Ash (below) to be the best of the bunch. Again, there’s no substitute for your own experimentation.
First Vintage Ash didn’t bleed through, but there was some feathering with the architect nib on this fibrous paper. I assume that Yamamoto values dry time over the lack of feathering, thus explaining why this particular paper received the highest marks of the three for fountain pens? This strikes me as a better pencil paper than anything, given the texture.
The largest pad in this assortment (Kona Wrap Sky, in B6) will probably get the most use, as I will use it to write letters and for general notetaking. This paper showed zero feathering or bleedthrough, and it has a wonderful cool blue-gray tone.
So are these papers purely “samples”, or are they usable? It depends on how you use your paper. I’ve personally always found great practical usage for my Yamamoto Paper, and these particular papers are bound into pads so they are incredibly useful for things like short notes and even written correspondence, if you like the A6 and B6 sizing. I’ve also turned the smaller pads sideways and hole-punched them to add notes to my binder systems.
Takeaways and Where to Buy
For me, trying out different papers, even one-offs or papers so rare that I likely won’t be able to find them again, is one of the most enjoyable parts of the stationery hobby. These Yamamoto Paper samplers are an easy way to do that. I appreciate that these aren’t just loose sheets of paper, and the fact that they’re bound into small pads makes them much more usable as notepads, writing tablets for letters, or even small sheets that you can hole-punch and add to your binder system.
As I noted above, we currently have seven different Yamamoto “Paper Tasting” Samplers available in the shop, alongside the packs of larger A4 looseleaf papers (which of course can be cut down to different sizes using a paper cutter). Patreon members should check this week’s Patreon feed or the “Announcements” section of the Discord for a special Yamamoto Paper Sampler offer.
If you’re ever in the Nashville, Tennessee area, please stop in and see us! We’d love to welcome you in store and answer any questions you may have. The Gentleman Stationer is open this week Thursday (1-4) and Friday (1-6) and Saturday from 10-4. Our site is entirely self-supported through the shop and the T.G.S. Patreon Program.
